He spends the entire song begging for unearned pity. "Money Over Fallouts" marked the first time Lanez had addressed the shooting in any way, and the only defense he really offers is that Megan's team is trying to "frame" him. I guess I'm supposed to go into this song feeling that Lanez has been maligned or something, but this is so grossly exploitative that it makes me even less inclined to hear his perspective. The intro ends with two clips: "Guess who I believe? Megan," and "The best thing for Tory Lanez is, for real, he needs to just be gone." The song opens Lanez's surprise fifth album with a montage of audio clips, including media coverage of Megan's assault - and even a snippet of Megan defending herself, after she was accused of lying about her own injuries. Megan has since described the violent July incident as "the worst experience of my life." (Lanez's team has denied he shot her.) "Money Over Fallouts" is ostensibly a response to Megan Thee Stallion, who named Tory Lanez as her assailant after she was shot in both her feet. "Money Over Fallouts" is the first track on "Daystar," released on September 25, 2020. "Unaccommodating" also includes such lyrical gems as "Real, real, real, murder, murder, murder, kill, kill, kill" and a line that uses the R-word.Īfter a career ripe with violent lyrics and controversy, the 48-year-old rapper still thinks it's cool and edgy to be proudly indifferent about the suffering of others. He previously made light of the deadly attack during a freestyle battle back in 2018, during which he also referenced "an Islamic regime." You'd think if Eminem was going to write a set of lyrics so deeply grotesque and cruel, he could at least be original. "I'm contemplating yelling 'bombs away' on the game / Like I'm outside of an Ariana Grande concert waiting," he raps. In the second track on his surprise album, "Music to be Murdered By," Eminem compares himself to terrorists like Osama Bin Laden and Salman Ramadan Abedi, the suicide bomber who killed 22 people at Ariana Grande's 2017 Manchester concert. "Unaccommodating" is the second track on "Music to be Murdered By," released on January 17, 2020.Įminem has never been one for sensitivity, but most everyone agreed that "Unaccommodating" took it too far. "Tolerate It" ends with retreat and quiet resignation: "I sit and watch you." It's the kind of emotional kill shot that Swift does better than anyone else. "What would you do if I / Break free and leave us in ruins? / Took this dagger in me and removed it? / Gain the weight of you and lose it / Believe me, I could do it," she cries out, making her pain more palpable than ever.īut the fury isn't enough to defeat the devotion. You can feel her slowly going mad.īut in classic Swiftian fashion, she does not settle for the subtle genius, crafting a crescendo-like bridge that falls into the ferocious final chorus. I can see the narrator as clearly as I might see an actor onstage: glancing up from her book to watch her partner read, polishing plates in the kitchen, setting the table for a romantic dinner. The song's quiet, simmering passion is poignant enough. It hurts me in ways I had forgotten I could be hurt. "Tolerate It" was released less than one month ago and it's already one of my favorite Swift songs of all time. "Tolerate It" is the fifth track on "Evermore," released on December 11, 2020. Account icon An icon in the shape of a person's head and shoulders.
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